“I think that over time my artwork has become a bit more confident and refined via the imagery I use,” remarked the British artist in an interview with Dateagle Art. “Regardless as to whether I’m creating abstract or figurative work, I think I approach each piece with a sense of confidence that steams from the knowing that I’m still learning and growing and if something doesn’t work out that it’s all part of the process towards me making something I’m truly happy with,” she notes.

Indeed, Yearwood-Dan’s artwork seems to be in continuous metamorphosis—a buoyant exploration of heavy loaded themes such as class, culture, race, and gender. Born in South London in 1994, Yearwood-Dan completed her BA in Fine Art Painting at the University of Brighton, before returning to London. And with her identity very much tied with her whereabouts, her depictions are based on observations of society and self.

Yearwood-Dan admits that she’s conscious about her altering style and that interchanging between figurative and abstract may make it hard for people to establish her work as her own. “However,” she says, “I realize that the way I use paint there is a clear signifier that they share the same artist.”

Using predominately paint, with excursions into collage art, her work heavily focuses on method and technique, often borrowing and adapting traits from western, Japanese, and Chinese historical painting and craft. The result, more often than not, doesn’t conform to the norm.

The post Michaela Yearwood-Dan’s Paintings are (Almost) Abstract appeared first on MobiSpirit.

Lück chooses for his experiments mostly objects that populate our reality, that we have under our eyes every day, like social media, or cigarettes, or home appliances, and plays freely with their look and purpose, using shapes, words and colors to achieve surrealist visual contrast.

Certainly Lück succeeds in his intent, which is to make us smile.

The post The Surreal Digital Creations of Philip Lück appeared first on MobiSpirit.

The mesmerizing creations of the Swedish artist have achieved a certain success on the social network. So much so that he did a volume 2 of his “Oddly Satisfying” project last fall. Even if you are not yet subscribed to his account, you have probably already seen his work somewhere.

The post The Instagram of Oddly Satisfying Hypnotic Animations appeared first on MobiSpirit.

“I think that over time my artwork has become a bit more confident and refined via the imagery I use,” remarked the British artist in an interview with Dateagle Art. “Regardless as to whether I’m creating abstract or figurative work, I think I approach each piece with a sense of confidence that steams from the knowing that I’m still learning and growing and if something doesn’t work out that it’s all part of the process towards me making something I’m truly happy with,” she notes.

Indeed, Yearwood-Dan’s artwork seems to be in continuous metamorphosis—a buoyant exploration of heavy loaded themes such as class, culture, race, and gender. Born in South London in 1994, Yearwood-Dan completed her BA in Fine Art Painting at the University of Brighton, before returning to London. And with her identity very much tied with her whereabouts, her depictions are based on observations of society and self.

Yearwood-Dan admits that she’s conscious about her altering style and that interchanging between figurative and abstract may make it hard for people to establish her work as her own. “However,” she says, “I realize that the way I use paint there is a clear signifier that they share the same artist.”

Using predominately paint, with excursions into collage art, her work heavily focuses on method and technique, often borrowing and adapting traits from western, Japanese, and Chinese historical painting and craft. The result, more often than not, doesn’t conform to the norm.

The post Michaela Yearwood-Dan’s Paintings are (Almost) Abstract appeared first on MobiSpirit.

Lück chooses for his experiments mostly objects that populate our reality, that we have under our eyes every day, like social media, or cigarettes, or home appliances, and plays freely with their look and purpose, using shapes, words and colors to achieve surrealist visual contrast.

Certainly Lück succeeds in his intent, which is to make us smile.

The post The Surreal Digital Creations of Philip Lück appeared first on MobiSpirit.

The mesmerizing creations of the Swedish artist have achieved a certain success on the social network. So much so that he did a volume 2 of his “Oddly Satisfying” project last fall. Even if you are not yet subscribed to his account, you have probably already seen his work somewhere.

The post The Instagram of Oddly Satisfying Hypnotic Animations appeared first on MobiSpirit.