Lauren Elyse’s Art Has a Certain Mystique

It was towards college when Lauren Elyse decided she’d take the leap of faith required of aspiring artists. “I had an inkling that painting was going to be something I wanted to dedicate all my energy towards around seventeen when I started college,” she recalled in an interview with CreativeFluff Magazine.

“I made the decision to major in business over art right away because I knew if I wanted it to work, I needed to know how business worked.”

She had since been hard at work. Based in San Diego, California, what began as a hobby that included painting surfboards and skateboards, went on to become a full-time job. Soon, surfboards turned into contracts with local businesses for murals which then turned into private commissions. “Everything really just fell together from there,” she says.

Experimenting with different methods and techniques, it’s hard to pinpoint her exact style (“Can’t make up my mind,” reads her cryptic Instagram bio). Elyse herself describes her work as “fragments that swirled themselves together, influenced by life experiences, other artist’s work I admire, my own observations and emotions, each one serving a purpose for something I need to get out and say.”

We’re willing to take her word for it.

View this post on Instagram

It's definitely been too long since I've been in the rhythm of painting. I started this one off being entirely too precious with it, not painting instinctively but rather over analyzing each brushstroke. Looking around at my other work I legit thought 'how the hell did I pull that off?' (I'd love to know if any other artists out there feel like that after a time spent away). And it's because I wasn't deep within a quick decision making process, I was drawing it out and planning (something I rarely do with my work beyond the initial idea). Painting for me truly feels like a battle, but in a good way (mostly). It's usually a fevered affair of mixing and letting each laydown of paint be a reaction to the last, but somewhere recently I lost that pulse. I had to take a break working on this one today to go on a long walk and when I got back I was finally able to loosen up. It's finally starting to look more like a murky riverbank (to me at least). Walks and museums. Those are always how I get out of my own head. I either need blood flow or to see how other artist's handle their paint. I always feel way more reassured observing how other painters address the illusion of painting. It's why I love this so incredibly much. Next time you're at a museum or gallery, look at a work from far away and note what you see. Then step as close as you're allowed and see what the artist did to create that illusion. To me it's like magic. . Also. Sorry for this tldr. Idk why I'm talking so much on my posts now. I'm normally an art cave dwelling mute when it comes to talking about my work. Wonder what changed. Also, overblown crappy picture because of bad studio lighting. The photography struggle is never ending 😒. . . . #painting #wip #ophelia #flowers #hand #laurenelyseart #contemporaryart

A post shared by Lauren (@laurenelyseart) on